introduction by Christine Dysers | 19.15 |
start | 20.00 |
expected end time | 21.50 |
with break |
In the 20th century there is no greater cult composer than German Karlheinz Stockhausen, famous for his bizarre Helicopter String Quartet, his 29-hour opera Licht (Light) and many other revolutionary compositions. Freude (Joy), one of his last works was written for two harps, as part of his 24-hour Klang (Sound) cycle. The tuning of the harps, their playing and the accompanying singing of the harpists are so precisely attuned that we don’t hear a duo, but a single, breathing, angelic being, with two heads and one voice. Freude sounds exalted, enchantingly ecstatic, and at moments fairy-tale-like.
Annelies Van Parys (1975)
Stanza
Claude Debussy (1862-1918)
6 Epigraphes antiques
Karlheinz Stockhausen (1928-2007)
Freude
Annelies Van Parys (1975)
Stanza
Claude Debussy (1862-1918)
6 Epigraphes antiques
Karlheinz Stockhausen (192
Emma Wauters: harp & song
Mathilde Wauters: harp & song
introduction by Christine Dysers | 19.15 |
start | 20.00 |
expected end time | 21.50 |
with break |