![](https://www.concertgebouw.be/media/cache/content_image_510_383/media/pageimage/image/240913_genz_jungedeutschephilharmonie_c_jdph_salar-baygan_br.jpg)
start | 18.00 |
expected end time | 20.15 |
Part of Weekend Pass SLOW(36h)
Deceptive emptiness and daring austerity. In his music, Morton Feldman manages to create a hypnotic effect on the listener by paring back the action. Between progression and stillstand, the secret of Feldman's music touches on the secret of time itself. Pianist Daan Vandewalle couples Feldman with Schubert adagios.
Morton Feldman (1926-1987)
Two Pianos (1957)
Palais de Mari (1986)
Franz Schubert (1797-1828)
Adagio In G, D178 (1815)
Morton Feldman
Piano (1977)
Piano Three Hands (1957)
Franz Schubert
Adagio in As from Piano Sonata nr. 19, D958 (1828)
Morton Feldman
Three Pieces for Piano (1954)
Last Pieces (1959)
Franz Schubert
Adagio in E, D612 (1818)
Morton Feldman
Piano Four Hands (1958)
Morton Feldman (1926-1987)
Two Pianos (1957)
Palais de Mari (1986)
Franz Schubert (1797-1828)
Adagio In G, D1
Daan Vandewalle: piano
Keiko Shichijo: piano
start | 18.00 |
expected end time | 20.15 |
Part of Weekend Pass SLOW(36h)