Always wanted to know how a composer sets to work? Wim Henderickx and Daan Janssens give us an exclusive insight into their modus operandi. Daan tells us how the Angel Room inspired his latest work for (electric) guitar, while Wim explains how the transience of life inspired his Memento Mori for piano. As listeners, we almost become one with the artist. We almost think the same thoughts as them, and hear those first hazy sounds looming up in their minds.
Daan Janssens (1983)
Creation (world premiere, commissioned by Concertgebouw Brugge)
Wim Henderickx (1962)
Memento Mori
Daan Janssens (1983)
Creation (world premiere, commissioned by Concertgebouw Brugge)
Wim Henderickx (1962)
Me
Wim Henderickx: lecturer (in Dutch)
Emmy Wils: piano
Daan Janssens: creation for the Angel Room & lecturer (in Dutch)
Nico Couck: (electric) guitar
Maarten Buyl: live electronics
commissioned by: Concertgebouw Brugge
coproduction: ChampdAction with the support of KASK / School of Arts, HOGENT
Wim Henderickx: lecturer (in Dutch)
Emmy Wils: piano
Daan Janssens: creation for the Angel Room & lecturer (i
With the support of Pianos Maene