![](https://www.concertgebouw.be/media/cache/content_image_510_383/media/pageimage/image/expo_antoine_grenez-1.png)
introduction by Klaas Coulembier | 19.15 |
start | 20.00 |
expected end time | 22.05 |
Each technological advance extends human capabilities, but is also, simultaneously, an amputation. In their new works for percussion and electronics, Wim Henderickx and Serge Verstockt play with this duality. From a gentle but unsettling rustling in a pitch dark concert hall, to ecstatic drum 'n' bass and breathtaking sound fields: in three short concerts percussion and electronic instruments play the leading role. Music that is bound to grab you by the throat.
Serge Verstockt (1957)
BeatEmUp! (world premiere, commissioned by Concertgebouw Brugge)
DRIE
Wim Henderickx (1962)
Sacred Places I (Angel) (world premiere, commissioned by Concertgebouw Brugge)
Karlheinz Stockhausen (1928-2007)
Vibra-Elufa
Serge Verstockt (1957)
BeatEmUp! (world premiere, commissioned by Concertgebouw Brugge)
DRIE
Wim Henderickx (
ChampdAction:
Jaan Bossier: conductor
Teun Verbruggen: percussion
Bruno Meeus: percussion
Tsubasa Hori: Taiko percussion
Marcel Andriessen: percussion
Vlad Weverbergh: clarinet
Ann Eysermans: double bass
Tom Jackson: clarinet
Thomas Moore: trombone
Yutaka Oya: synth, piano
Maarten Buyl: electronics
Serge Verstockt: composer
vrijwilligers: musicians in the hall
Dominik Boiy: soundtechnician
Pauline Jocqué: production
ChampdAction:
Jaan Bossier: conductor
Teun Verbruggen: percussion
Bruno Meeus: percussion
Tsubasa Hori: Taiko
introduction by Klaas Coulembier | 19.15 |
start | 20.00 |
expected end time | 22.05 |