this event is part of
The audiovisual art of Japanese phenomenon Ryoji Ikeda is as minimalistic as it is breathtaking. Time after time he toys with the limits of the human senses. He does so by transforming mathematical concepts, computer data, sound and light into precision works of impalpable power and beauty. In Music for Percussion – written for body percussion, triangles, cymbals, crotales, metronomes and even pencil and paper – he sometimes pares everything back to the essence, only to bombard us once again with data.
Ryoji Ikeda (1966)
Music for Percussion I & II
Alexandre Babel, Stéphane Garin, Lucas Genas, Dorian Fretto & Amélie Grould: percussion
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coproduction music for percussion I: Eklekto Geneva Percussion Center, Ryoji Ikeda Studio & La Bâtie Festival de Genève
coproduction music for percussion II: Festival Musica & Ryoji Ikeda Studio
Eklekto is supported by the city of Geneva
with the support of the Fondation Nestlé pour l’Art, Ernst Goehner Stiftung, Fondation Leenaards & Fonds mécénats SIG
Alexandre Babel, Stéphane Garin, Lucas Genas, Dorian Fretto & Amélie Grould: percussion
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coproduction musi