![](https://www.concertgebouw.be/media/cache/content_image_510_383/media/pageimage/image/240913_genz_jungedeutschephilharmonie_c_jdph_salar-baygan_br.jpg)
start | 14.00 |
expected end time | 15.35 |
Beethoven closely followed the evolution of Viennese keyboard instruments. Jos van Immerseel – who celebrates his 75th birthday this year – celebrates Beethoven’s 250th birthday with the composer’s finest music from the period 1795 to 1804. The central question here is: What did Beethoven think? For this diptych, Van Immerseel chose a copy of a Walter pianoforte, on which everything ‘from the deepest depths to the highest highs’ is exactly how it should be. Among other works, six sonatas will be cast in a fresh light.
Ludwig van Beethoven (1770-1827)
Marcia funebre sulla morte d’un Eroe, opus 26
Grand Sonata ‘Pastoral’ no.15 in D major, opus 28
Andante in F major WoO57 (originally intended to be part of the Waldstein Sonata, opus 53)
Piano Sonata no.18 in E-flat major, opus 31 no.3
Ludwig van Beethoven (1770-1827)
Marcia funebre sulla morte d’un Eroe, opus 26
Grand Sonata ‘Pastoral’ no.15 i
Jos van Immerseel: Walter pianoforte (copy Christopher Clarke)
start | 14.00 |
expected end time | 15.35 |
With the support of Pianos Maene