![](https://www.concertgebouw.be/media/cache/content_image_510_383/media/pageimage/image/240913_genz_jungedeutschephilharmonie_c_jdph_salar-baygan_br.jpg)
start | 20.00 |
expected end time | 21.30 |
20.00 introduction by Pieter Bergé in the Concert Hall |
Few works of art have a genesis as poignant as that of Quatuor pour la fin du temps. Olivier Messiaen wrote his musical end of days in 1941, in a prisoner of war camp in Poland. Inspired by the Biblical Apocalypse and the horrors of the present day, this devout Catholic didn’t create work about hope or despair, but instead a work filled with colours and harmonies, in a unique rhythmic language that manipulates the perception of time. Multimedia artist Anouk De Clercq captures those timeless musical visions in poetic video images that pick up where the music leaves off.
Olivier Messiaen (1908-1992)
Quatuor pour la fin du temps (1940-1941)
with a video work by Anouk De Clercq (1971) (2022)
Olivier Messiaen (1908-1992)
Quatuor pour la fin du temps (1940-1941)
with a video work by Anouk De Clercq (1
Het Collectief:
Julien Hervé: clarinet
Wibert Aerts: violin
Martijn Vink: cello
Thomas Dieltjens: piano
Anouk De Clercq: video
Thomas De Brabanter: animation
Luc Schaltin: lighting
Marie Logie: production for Auguste Orts
Het Collectief:
Julien Hervé: clarinet
Wibert Aerts: violin
Martijn Vink: cello
Thomas Dieltjens: piano
Anouk
start | 20.00 |
expected end time | 21.30 |
20.00 introduction by Pieter Bergé in the Concert Hall |
With a new visual creation by Anouk De Clercq
(commissioned by Concertgebouw Brugge, deSingel & Auguste Orts)